Caesalpinia platyloba of the family Leguminosae, the legume or pea family
Also widely known in the USA as chakte viga, I have also seen this reported as C. violacea, but the USDA wood lab confirmed that a sample I sent them was C. platyloba. This wood is very easy to work, has a nice orange/red color, and reportedly has good tonal qualities. It often is strongly iridescencent, as can be seen in at least one of the bowl segments at the bottom of this page.
Some vendors seem to use the name chakte viga for the lumber and paela for the burl form, but both are common names for the same wood. I have generally noted on this page if a wood was listed as chakte viga instead of paela (the absence of such a note implies paela) although I don't know that it really matters since there appears to be only one species that is sold as this wood, under either name (the report of C. violacea is unconfirmed). I can confirm that the wood darkens with exposure and I believe reports that say it is color fast after the initial darkening.
my samples:
paela exposure series --- both sides are raw, freshly sanded, and half has been covered and the rest exposed to light. The first pic is the raw baseline and the 2nd pic shows the exposure after one month. To see the complete series, click here: paela exposure series As you can see just from these two shots, paela darkens with age, although the darkening is really more just a shift from orange to a less attractive orangish-brown.
both sides of a plank (sold to me as chakte viga) and the end grain for each end --- the 1st pic is of a side that has been freshly exposed through light sanding and the 2nd pic is of a side that has been long exposed and thus has some patina. There is an obvious crack through the center of the piece. This piece came from a mixed lot from the BogusColorVendor so you can compare the accurately represented color of these pics to those web pics of theirs at the bottom of this page. As usual, their pics are generally not to be believed although a few of them are probably not too overdone since this species really CAN be quite a strong orange color. This plank is slightly lighter in color than what I have now come to believe is average for this wood.
end grain closeup from the piece directly above --- color is a little too dull and sanding marks are rather severe
turning stick and end grain
end grain and side grain closeups from the piece directly above
raw plank and end grain --- once I've sanded it down, I'll get an end grain closeup (see below)
fine-sanded small piece and end grain (cut from the larger one directly above) --- I was dismayed to find that the rich orange color only goes about 1/8" deep from each face surface. I don't know if exposure will turn any cut surface rich orange eventually, but I'm assuming (and hoping) so. My only previous piece of this wood was a small turning stick less than 1" square and a foot long (see sample at top of page) and it was rich orange throughout (although a lighter orange than this one), as you can see from its use in the bowl shown at the bottom of this page.
end grain closeup of the piece directly above
another plank from the same vendor --- I'll do closeups when I've cut off a piece and sanded it.
a batch of sticks --- these are a very light, and somewhat dull, orangish yellow color, accurately represented here
both sides of a plank that was planed some time ago and has a patina --- color is just a little darker than the wood
both sides of a plank that was planed some time ago and has a patina --- color is accurate
sticks, showing some of the color variety that occurs in paela --- these were cut from a 1-inch thick plank and this is the side grain in each case
long plank with a crack through most of it --- the plank was cut in half for shipping. The closeup has enlargements
plank and closeup
two sets of planks, showing some good color variation. The set on the left is not actually quite as orange as the pics shows --- I messed up a little on the color correction.
planks --- color of wood is actually a little brighter than what shows here
planks and closeup --- these are both the prettiest and the ugliest paela I've ever gotten. The top board is so washed out that I am just trusting the vendor (whom I DO trust) that it is paela. I certainly would not have identified it as such had I picked it up at a lumber store. The lower planks have a fantastically rich red/orange color as you can see.
small plank cut from the "washed-out colored" larger one directly above and medium-fine sanded, plus an end grain pic
end grain closeup of the piece directly above --- as you can see by comparing it to other end grain closeups on this page, it has the identical pattern to other paela, so it appears that my trust in the vendor is well founded. (I knew that). The color in this pic is too brown --- the face grain shot shows the color accurately.
planks and closeup showing sapwood --- colors are accurate but the closeup shows the color as it appears in a bright light and the distance pic shows a more normal lighting color
planks with a nice variety of color within each plank
both faces of a plank that has been medium-fine sanded.
both ends of the same plank. As you can see, the side that is fresh cut exposes a section where the deep rich orange color has not yet developed. As you can see from the time exposure series linked at the top of this page, that color WILL develop with time and exposure.
end grain closeup of the piece directly above
stick and end grain --- this strong color streaking is usually associated with small splits in the wood
end grain closeup of the piece directly above --- this is the OTHER end from the one of which I took the normal end grain pic.
both sides of a plank that has numerous worm-holes and the associated color change that sometimes comes along with "bug poop".
planks with nice rich dark color
plank and end grain (cut from one of the larger pieces directly above)
end grain closeup of the piece directly above
both sides of a curly paela plank --- the curl is stronger than what shows up here
curly plank and end grain --- this was cut from the larger plank above and sanded down for the pics
end grain closeup of the piece directly above
web pics
plank (listed as chakte viga) with wet and dry sections --- the dry section appears to me to be unusually dull for this species
planks --- based on my experience, I'd say ALL of these colors could well be accurate
plank with a heavy pith check down the middle
turning blocks
turning block listed as chakte viga
planks, all listed as chakte viga
plank listed as chakte viga and with a color that I think is a little over the top
planks and closeups, both from the same vendor and both listed as chakte viga
scales
figured planks listed as chakte viga
curly planks with completely unbelievable color
curly planks with believable color
turning squares listed as chakte viga
burls
burls --- note how the burl is a totally different color from the wood of the tree --- I believe that paela burls are always root burls; I'll check it out
two views of the same burl (pics are obviously not quite to the same scale)
burl
burl and closeup
two ends of the same burl
two bookmatched sets of burl planks from the same vendor --- judging from the shape I would say that it is inescapable that these are from the same burl despite the significant difference in color between the two pics.
these are all from the BogusColorVendor so the colors are highly suspect. Also, these were all listed as "chakte viga" which is a widely used alternate common name for paela. Some vendors use chakte viga for the "normal" wood and paela for the burl.
plank
figured plank
both sides and a closeup of a plank
both sides and closeup of a plank
both sides of a figured plank and a closeup --- this was listed as "lace" chake viga, which I believe is just a marketing term made up by this vendor, but I could be wrong --- they are so fundamentally dishonest that I don't believe anything they say.
plank closeups
planks
both sides and a closeup of a plank listed as fiddleback
hair clip made from paela burl; seems to have much heavier gum pockets than is typical of this burl. The owner of the site I stole this image from, Emily Palm of Blue Heron Woodworks, tells me the finish is a mix of tung and linseed oils plus a bit of waterlox.
paela bowl turned by correspondant Jim Voss, who finished it w/ Behlen's Master Woodturner's Finish, an alcohol-based finish. I cannot say for sure that this color is totally accurate but I find it totally believable and Jim says it looks pretty accurate (I had to correct it quite a bit from what he sent, which he said was not accurate at all)
one of my laminated bowls, with a nice piece of paela at the front of this pic. This piece was made from the relatively light-color piece at the very top of this page.
laminated bowl with an iridescent paela section that is just gorgeous.