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OSAGE ORANGE

Maclura pomifera




my samples:


three views of a pair of slabs that were cut from the same section of a small tree --- this is a perfect representation of this species' wood, as it shows the usual grain pattern, the typical color, heartwood / sapwood comparison, a little bark, and even the heart checks which are quite common to the species --- both levels of enlargement are available for all 3 pics. Both pieces are freshly sanded (when I got them on eBay, they arrived waxed, but I sawed off 1/8" from all surfaces, and then sanded them down for the pics.


a log section (cut planks from it are directly below) --- this one is rough surfaced


outer view --- on the closeup, note the bright white layer that is just under the bark

some planks cut from this small log. On the right is the reverse side of the section directly above that shows the white layer under the bark.


The first one has been sanded with 120-grit, prior to which it looked just as yellow, only rougher, so the sanding did not enhance the color as it does with some woods. The 2nd one is end grain and has been long exposed to the air, showing the typical darkening of the species (the darkening is more pronounced on the end grain than on surface grain). When I got this piece (maybe 15 years ago), the end grain wasn't this dark. The end grain on the first piece has closer growth rings and is considerably lighter in color than the 2nd piece. No color correction has been used here, but the colors are quite accurate.


end grain closeup of the right-hand piece directly above


both sides of a little cutoff that sat around my garage for about 10 years. The lighter surface is freshly sanded but is only about 1/4" on the other side of the dark surface, which is the 10-year-old exposed surface, so I don't consider the lighter side to be "freshly cut" at all. The dark surface was never in direct sunlight, so you can see what even indirect sunlight can do to the color of osage orange with time if it has no UV blocker. The very dark color shown here is quite accurate.


sample plank and end grain


end grain closeup of the piece directly above


end grain of a big turning block very generously donated by Chris Arvidson --- the end has been waxed but that does not have a significant impact on the color of this species.


a small example of the kind of chip-out that occurs with osage orange if you don't use sharp blades and/or a backing block during cutting.



two sides and end grain of a turning stick that has been rough sanded and has a small amount of sapwood at one edge


small plank and end grain, both freshly sanded


small plank, freshly sanded


edge cut-off plank with sapwood and bark, and an end-grain shot of same, both freshly sanded


a set of small sticks --- color is accurate


a couple of samples from a set of thins I bought. The color is accurate but these are rough surfaced and would appear slightly more yellow (and less gold) if fine-sanded.


more thins from a different vendor. The color is accurate but these are rough sanded and the yellow brightens up considerably with a good sanding. These are from the vendor whos pictures below show an unrealisticly BRIGHT yellow, and these samples are from the 3rd lot pictured below



A bunch of pictures of an excellent plank that shows osage orange very nicely. This plank is 3 feet long, 8" wide and 3/4 inches thick, for a nominal size of 2BF and cost $10, or $5/BF which is a very good price (unfortunately the shipping more than doubled the total, but that's life). The color in all these pictures is very accurate except for right where the spotlights hit and those areas are too bright a yellow.


both sides


closer pics of side 1


closer pics of side 2


some closeups of a few areas including one that has some sapwood.


end grain


closeup of a cathedral grain area; for this pic I've gone all the way to the 2nd enlargement, just to show an extreme closeup of the grain. The line through the middle is a raised area where the vendor's surface planer was nicked


some freshly exposed small pieces from the plank described directly above. As you can see, there is essentially no difference in color (although there might have been a little, had the plank been exposed for a considerably longer time).


small turning piece and end grain closeup


Plank and end grain --- the color on this one is, in my experience, unusual --- seems to have either a mineral stain or spalting but if you look at the end grain closeup, you'll see that it is also quite different than the other end grain closeups on this page --- had this piece not come in a lot that was stated to be all osage, I would not have identified it as such.


end grain closeup of the piece directly above


another piece similar to the one directly above


small planks and end grain. Took this set mainly to show the two nice flat cut pieces with the high grain pattern. The end grain shot in particular looks much better in the enlargement.



web pics


log sections


this is the vendor's pic of the plank that I have a bunch of pics of directly above. To my mind, this board could have been shown to better advantage than it is here, and that's a sign that this is an honest dealer (see canary and tulipwood for samples from dishonest vendors, and the bottom of this page for some osage orange from a dealer who exaggerates considerably). Also, this dealer was very careful to accurately describe the board. I do not normally mention vendors by name on this site, but this one is worth dealing with and goes under the eBay handle of "polo_pony".


planks


a couple of closeups that are just too orange to be believed


a plank with a yellow that is too bright a color to be believed


turning blocks


bowl blank


pen blanks


log sections





bowls by Bryan Nelson (NelsonWood). Bryan fine-polishes his bowls with 1200 or even higher grit sandpaper while they are spinning at high speed on the lathe and then finishes them there with a friction polish of his own devising, thus achieving a shine and color vibrancy that is beautiful to behold. These bowls are all about 5" across.


more bowls by Bryan


shallow bowl





these last 3 pics are from the same vendor, and it is NOT the BogusColorVendor although this vendor also consistently posts pictures on eBay that show wood as being more attractive than it really is. Some of my own samples above were take from the 3rd lot and as you can see, the wood is NOT this bright by quite a stretch.





a big chunk of osage orange as a highlight on a laminated bowl. This piece was more of a bright yellow when purchased but as you can see, it has changed to a more mellow yellow, accurately shown here.


osage orange highlight on a turned bowl. the bright yellow color is accurate. The center wood is cocobolo, and just to the left of that, the thin yellow wood is also osage orange --- the much darker color is accurate (it is from a different lot).